If you’ve graduated in the past year, specially in the art world or any freelance - like universe and you already have a steady job that you’re mildly happy with, that can pay your own apartment and basic expenses... Then you’ve officially climbed up to the top of my worst enemies.
I now hate, admire and fear you.
If you’re more in the position I’m in, (flying from job to job, more often than not, the tasks at hand seem uninteresting at best and the pay rate is going from bad to non existent) Then this column will be a bit more identifiable, albeit possibly depressing.
Generationally, we need to understand that we need a lot of work experience, portfolio and CV to nail a good job that can cover the basic needs that probably are no longer being supplied by our caretakers.
True, we haven’t had the time to get the necessary experience, but we also aren’t teenagers anymore.
We are at an age that is as important as it is frustrating.
We’re old enough to look for what we need, but young enough not to get it anywhere in the near future.
“Be patient! You have to start somewhere!”
“Rome wasn’t built in a day!”
After all, accepting late gratification means not being a baby anymore.
(That probably explains why I’m still a two year old in my head…)
Realising that we do need experience and we need to be thankful to anyone that is willing to give it to us, there is a moment in everyone’s unpaid career when you need to put your foot down and say: “Sorry, my work is worth something.”.
For me, it’s a terrifying thing to say out loud, let alone to my employer, mainly because every time I say it, a squeaky little voice inside me asks: “…Is it?”
I hate that fucking squirrel.
If you have a similar problem and an annoying rodent-like creature is asking uncomfortable questions about your capabilities, let me sum it up… (And yes, I do have the answer to this one.):
Yes, it is.
You studied, right?
You have a little piece of paper that states that you are qualified to do a certain job. Write, edit, paint, design, compose, photograph, act… Etc.
You have been validated by an accredited institution that says you’re capable of performing the tasks that are at hand.
That means that you or the next guy around the corner will not deliver the same results. Because you, in fact, do know better.
Even though all the experience you’ve had up until now has been in the safe confinements of a learning institution, it is experience never the less.
True, you might not be the best or an expert yet, and (most annoyingly) You might need to go other routes to get that pay check you’re so desperately needing to settle that debt, pay the rent or simply buy that big mac that always stares at you as you walk by it’s subway advertisement.
How can we fellow freelancers trust that, when we do have 5 years of experience on top of a educational certificate, we will get the jobs we want when every twenty something year old out there will do the same amount of work hours for free?
The artistic industry is basically fucking itself over.
Working for free, -Excluding those rare internships at amazing corporations that will benefit you even more than a payed job, which are quite difficult to encounter- Is plainly not fare.
You are dedicating your talent, time and effort to help create something that will benefit your boss, the company you’re working for and even the client.
Don’t get me wrong. I’m not advising anyone out there to EVER take an unpaid job. I myself have done a fistful of duties with no monetary rewards. But that’s when you must weigh the importance of the money you’ll receive to the importance of the job you’re doing, and which one will be more beneficial.
A lot of the times the very networking you’ll get out of an unpaid job will be ten times more valuable than the $50 you’ll get for babysitting the neighbour’s five year old.
What I’m talking about is the persistence of the same employer to take for granted the work that you are so heavily investing your time and creativity in.
Sometimes there’s just no cash. And in the art world there will always be a bunch of creative hopefuls who will come together and invest all their money into one project, hoping that what they’ll get in return will outweigh their investment. And many times, given the right team and material, it does!
I still think I’ll be accepting unpaid jobs even in my late thirties, just because there are so many exciting projects out there that simply don’t have enough cash to pay everyone right away.
What’s important is that the people who hire you are completely and 100% aware of the favour that you’re doing for them, willingly and with a smile on your overworked face.
Just because you’re doing it now, doesn’t mean that that’s how the deal’s gonna be forever.
Your work is worth something.
Maybe you graduated one month ago and that worth is $30 per project. Trust me, soon it will be $50.
The bottom line, that I’ve recently have come to figure out is that every time you work for free and decide to give your work as a present, it’s your choice and no one else’s.
As the young professionals that we are we need to take a stand at some point to our employers, who have indeed been very kind at taking a chance with us and educating us further than our universities, academies or schools. But the ultimate thank you for that very education is saying: “I’ll now be receiving money for the service I’m providing, because you’ve turned me into a true professional. ”.
Very possibly that won't happen today or tomorrow. (If it does, as I previously stated, I will, unapologetically request that you don’t return to this website ever again. I’ll never be able to get the stench of inhuman success out of it).
Working in other areas will not only give you the money that you need but will broaden your patience and work ethic. It will get you used to having a boss, (You’ll probably have a horrible one… Nature just doesn’t get tired of making them.)
Keeping to a time schedule and having responsibilities that may not interest you but you’ll have to attend to them the same way.
That may not give you the portfolio you’re looking for, but it does make you a lot more viable to the bosses you actually do want to work for some day. (I do set and costume design and I’m currently working as a P.A for a philosopher, so let’s hope to GOD this is true).
In any case, we have to trow ourselves to the professional world.
This will be as intense as it is terrifying.
It's difficult not to feel inadequate, awkward and weird -as I usually do in most situations-.
What's important is to just throw yourself to the deep end and see how one step leads to the next one.
And if your first jobs aren't as satisfying as you thought they would be in high school, the capability of paying for a good drink at the end of the day, at the bar around the corner, to perk up an otherwise un-stimulating day, probably will be.
At least for me, that's always a good place to start.